"Both have their own styling and within their respective stores décor and generalised style remain the same to each corporation regardless of location. Only the building structure itself differs which affect interior layout and design to a degree. In this essay I refer to the aesthetics, signage and customers. I feel that it is crucial to state that the article ‘Consumption and the postmodern city’ (source 3) is useful only to a degree as it was published when the coffeeshop chain ‘Starbucks’ invaded the UK, swooping into 60 locations (source 2) consuming any other cafes or simply taking their customers and yet Britain (mostly) welcomed this Americanism. The already present ‘Costa’, founded in the UK in 1971 (source 7) expanded to Eastern Europe and the Middle East, but continues to outnumber and dominate in the UK with over 900 stores (source 7). "
Extract from the now award winning written pieace by as if i need even write his name!
yes we are now all familiar with this revolutionary pieace of mastercraftmans ship and insight into modern syndrom.
how this work went on to be nomiated for economis, peace, and various other awards for noble peace prize is no suprise but from a singular person to be nominated was and still is sholcking.
but without the critical work of pioner like works of this nature world surely would have demised.
author award winning, member of RAA
ETC ETC ETC write more steal mostly from life magizen artical on author me.
:)
yes handed in essay. and i await my awards and prizes.
Wednesday, 9 December 2009
Thursday, 3 December 2009
Romantics , like emos only less bad.
Romantic.
Connected identified. to imgination, and nature.
Reaction against neo classiscialism, ( they represent reason, order , inspiration from classics= greek roman.
They like emotional.and gothic mideal ages.
At time education classical to upper class eurpean. ( greeek latin education, as familiar as biblical)
Abiquaity to collecting patronising classical art.
Rise in new discoveries. Visability of classical artifcats.sight seeing touring by choice or to escape wealthy tour.byron. famous.
Romantic revived Rembrandt’s painting, Shakespeare play, Gothic architecture
Previously disregarded for failure to conform to Neo-classic standards/18th cent taste.
Because of distaste for historical paintings and incress in expression imagination by time painting returned to less imaginative photography had taken its place socialy. Ie less portratire commission.
French rev provoked entensening of poltical religious social division in uk
Catholism
Catholic church weakened more onset French rev.little improve with napoleans assendency.
Romantic age charectorised interest in catholism among cultural elit & artist. Who general rejected during enlightment period.
Spiritualism and inter medevilism.
Church seen as historical mystical spiritual artistic.
Movement “oxford movement” .
Culture.
Rise fall civiliasations. Britian new commerce & social. Freedom british constitution
( money economy ) freed from feudal dependence. .loosen hierachy structures. interact as equals.
Loss of classicals civic virtues, feeling to dismantle structure state.
Patriot or revolutionary look to past, idealise future while existing in present.
Self development of individual
Francisco jose de goya y lucientes = third of may 1808 french troops fight people of madrid, shows strong emotions and nationalism, madrid people painted as victims, innocents.
Commsioned attempt quote “ our glorious insurrection against the tyrants of Europe”
Britian monarchy rule. Could have been different tensions etc.
Music: MOVED FROM private domestic TO public , works of classics. Timeless while new paths.
Inspired by French rev, people scared fear revoloution else where.
Social tensions lead to control of information, formed instutions,,gentlemens clubs, knowledge kept to self and regulated what info was considefed knowledge.
Fashionable , socialy accepted where allowed to learn, enter lectures etc.networks patronage tp deemed suitable. This formed barriers to people like charles bababage.
Government its self control literay and poltical publications, persuction of radical publishers meaning
Illegal publications poltical etc education to masses middle classs desired separate self from lower.
Time made working class.
Multiplesub cultures, new printing presses, range of publications from radical to bengine. Alamancs satire, sport fashion cateared and educated the masses as never before.
Somewhich exist till today, broadsheets etc.
Industry
People hope slavery decline cos economical weakness.
Most romantics against factory system
Litteraly.
At time romantism to describe set of male writers byron keats, wordsworth. Romantism entwinted socialy not separate for examination.
Key Byronic hero restless woman. ( main figures)
Romanics text post Implicated imperialism, racialism, sexism, colonialism, misogony, homophobia,
No sestablished.
Critics during romantic poetry. Did not see self as romantic. Later 1863?
Conciousness about aspirations and achivements.
Germany –johann wolfgang von Goethe dismissed romanticsm as dieases.
William wordswoth attacked in Edinburgh review.
Romantics “ satanic “ school with lord byron as its head.
Remind of gothic and oriental influences on romantism and influence of byron.
Read so mention confesion opium eater. Wilde, saki. ( relate to dandy and non dandy. Social observation)
Shelly
Frankenstien / modern Prometheus.
Debatable innovative written by shelly.
Most important gothic fiction
First work legiemate claim science fiction.
Destructive force freed on society science separating self from nature.
Abhors responability for creation. Inspired by german ghost stories. While byron husband and and byrons doctor byron suggest they create own version/
Early gothic fiction .present slave/enthralled to treacherous past.
Horror emerge from present. By successful attempt by dr to infuse” life into an inainimate body”. Paternal counter balance
Creation only becomes monsterous when denied paternal
Aset aside victors journey for “principal of life” and troubling relation with feminine.
Man creates life independent of feminine
Man becomes god. Divine into culture
Stolen creative spark belongs to god.
Link conservative critique of French revolotuion.
Parrarel French revolotuion people destroy hierarchy.
Revoloutionarys destroyed by own creation.
( god man, creation renisance link perfection /ratio.= mysticism /contradiction. Gothic architecture invade early renisance ( create poss link?)
Feminism
Retrospectively women writers of the romantic period
Suffered canonicity romanticism practised inspired female writers seemingly neglected those remembered mary shelly Dorothy wordsworth cos of male assosciation. It is debatable at time many others seem forgotten compared to male.
Romanticsm bad reputation among feminists.
Mis representations of male genius masculine .
Byron
Notes not required , do off head. Travels exotic interest eroticism / ancient classical lands. ( industrial travel)
Arts
Artists meaning indenity change
Professionalmen AND bohemian anti-establishment craftsmen courtier
Training ( member organised bodies) taught young men and occasion female paint sculptuing hopes of success financial and intellectual
While romantic suggest individuality , developed artisticly define there role and status.
Obsession capture physical char , social trend and individual
Artist talk contemporaries other fields, and past artists personal relationships( Eugene Delacroix compared himself to Michelangelo. Genius. Misunderstood.etc.
Artist writers performers togther intlectual question and meditation to value of all art.
Artists self reliant . less dependent on instituions.
From community to individual.
Art lost challenge traditional just sentimental.
Jean-Jacques Rousseau legitimized the artistic representation of nature in all its diversity, the neo-classical view, that only when represented in an idealized state could nature be deemed beautiful.
A learned excuse for eroticism in art.
Charged with new artistic freedom, originality, self expression sense identified self as genius by self and others. Enable merg conscious with subconscious in there art. The natural and fantastical.
Sensous form, rich, texture as well as bizarre pathetic visionary theme
In order: historical paintings, mythoical, portraits, genre, landscape still life,
Change.
Nature extension of landscape. Mythical, unique visions. Panoramic detailed rustic ruin.
Goth was staple of romanticism.tranformation of sensibility and goth show indisputable nessecity of art unite creative mind and perception.
Nature mystasim
Desire to revive general mysticism their conception of art as another nature – mysterious but intelligible – ‘divine inspiration’
The artist genius – recipient of senses of spirituality – art expression of diversity of human spirit. Spiritualist. And interest in occult. Source materials occult. Collections osbscure./
Dandy
Yankee doodle dandy insult douwdy American soilders.
Then behaviour dress of british aristocrats.
Amoral superficial toword life. Reject responabilties. Decay of moral./ LIBERTINE?
Dry wit. Clothing. Mock thosefallen from honour / grace.
Clubs and dating regimes designed to excloude nouvo riche. Industrious. People bought into marriage for status .
No over lap of dandy and romantics. Dandy upper class romantics middle class/.
Coffee/opium indulgence/
Classicalism then
Classicalism existed in blake turner etc use classical national & religigous , question contemporary life and sensibility .
Classical flattned perspective. line over colour, disdain for depiction of emotion.
Liberty, fraternity and equality
Not only the idea of individual rights but also of nationalism
Liberals with reactionary regimes
Increasing despotism of Louis-Phillipe led to his deposition
Napoleon was elected president by a majority. His inherited name appealed to a widespread nationalistic sentiment.
Industrial revolutions
Large-scale industrialisation first began in Britain.
Colonies
Monopoly of the world market
Many industries such as cotton and iron, culminating in the invention of steam engine and the largescale use of coal. Factory system using conveyor belts, assembly lines = mass production/industrialisation.
Iron and steel harnessing science for industry.
Improvements in travel established trading and mechanisation. This increased populations and colonies.
Vast monopolies
“gods and kings of the past were powerless before the businessmen and steam engines of the present” Hobsbawn
While prosperous and expansion prblems, political crisis, unemployment{child and women labour – cheap factory – long hours, poor working conds, disease)
--------------------- notes below.
Goth
Germanic dark dense forest
No orginal takers of classical rome greek ( people)
Invasion pillage for hire. Saking destruction great library. Epitomy and destroyer of classical civiliation / ideals? Hence usage. No proof.(?) http://authorialimadrigal.blogspot.com/
Goth no style.
Generic term to all non classical.
Hordes, barbaric ( not the people BUT uses reason etymology)
( vassari) taken from Vitruvius on archtechture.
Vitrusvius describes only classical.
Only mention “wall decoration” “illogical”
Vasari
Describes Germanic buildings.
Slender non functioning columns . ever rising height, not supporting self,
“ was invented by Goths”
Vasari’s taste strongly effected description.
Gothic became synomious with bad taste.
Each individual has own idea of art.
Goth seeming to favour excess
Modern day art is gothic in its non classical foundations
Gothic its self later became specific stylings recognisable in archtetchure
Generalised concept of all foreign art not being considered worthy.
Rules which confine and dictate what good art is.
And by contrast what makes bad art.
Blame art critics and historians for objectification and tastes of
Art history built on exclusion.
(gothic versus romtic , pale ladies.
gothic barbarian , taken from medieval goths, germanic. art removed aesthetic propoartions of classical. early stages heavily critisized before being acepted .
gothicism lead furmost by archtechtural styling which revolutionised not only archtetcure its self but other fascets of society, urge to expand to highest of heaven. churches which at time whee designed for granduer to indicate there stature litteral and metaphysicaly to the average person. closer to heaven etc.
this urge created the high peaked and other recogniseable details. early works sculptue of and on cathedrals depicting bilicial stories morely through lives of saints ( mary effectionate human mother).
gothic art strongly influnced by an earlier time, but slowly encompased all artistic genres though never fully capturing the heart of classical italian. not until later 16th century by which time international gothic style was in place. but the 16th century renaisaance art was digestedt into renaisannce art.
main medium being sculpture staine dglass, freasco panel paintings and manuscripts.
civilisation would cradle these artists through a class who could and now would be there patrons.
manuscripts incresseing litteracy . civilisation time artist sorted into guilds ( very pratchett)
there records bestest cos of there ability. yadda yadda ) (from my blog I wrote about at start)
romatiq.gothiq
Romantic.
Connected identified. to imgination, and nature.
Reaction against neo classiscialism, ( they represent reason, order , inspiration from classics= greek roman.
They like emotional.and gothic mideal ages.
At time education classical to upper class eurpean. ( greeek latin education, as familiar as biblical)
Abiquaity to collecting patronising classical art.
Rise in new discoveries. Visability of classical artifcats.sight seeing touring by choice or to escape wealthy tour.byron. famous.
Romantic revived Rembrandt’s painting, Shakespeare play, Gothic architecture
Previously disregarded for failure to conform to Neo-classic standards/18th cent taste.
Because of distaste for historical paintings and incress in expression imagination by time painting returned to less imaginative photography had taken its place socialy. Ie less portratire commission.
French rev provoked entensening of poltical religious social division in uk
Catholism
Catholic church weakened more onset French rev.little improve with napoleans assendency.
Romantic age charectorised interest in catholism among cultural elit & artist. Who general rejected during enlightment period.
Spiritualism and inter medevilism.
Church seen as historical mystical spiritual artistic.
Movement “oxford movement” .
Culture.
Rise fall civiliasations. Britian new commerce & social. Freedom british constitution
( money economy ) freed from feudal dependence. .loosen hierachy structures. interact as equals.
Loss of classicals civic virtues, feeling to dismantle structure state.
Patriot or revolutionary look to past, idealise future while existing in present.
Self development of individual
Francisco jose de goya y lucientes = third of may 1808 french troops fight people of madrid, shows strong emotions and nationalism, madrid people painted as victims, innocents.
Commsioned attempt quote “ our glorious insurrection against the tyrants of Europe”
Britian monarchy rule. Could have been different tensions etc.
Music: MOVED FROM private domestic TO public , works of classics. Timeless while new paths.
Inspired by French rev, people scared fear revoloution else where.
Social tensions lead to control of information, formed instutions,,gentlemens clubs, knowledge kept to self and regulated what info was considefed knowledge.
Fashionable , socialy accepted where allowed to learn, enter lectures etc.networks patronage tp deemed suitable. This formed barriers to people like charles bababage.
Government its self control literay and poltical publications, persuction of radical publishers meaning
Illegal publications poltical etc education to masses middle classs desired separate self from lower.
Time made working class.
Multiplesub cultures, new printing presses, range of publications from radical to bengine. Alamancs satire, sport fashion cateared and educated the masses as never before.
Somewhich exist till today, broadsheets etc.
Industry
People hope slavery decline cos economical weakness.
Most romantics against factory system
Litteraly.
At time romantism to describe set of male writers byron keats, wordsworth. Romantism entwinted socialy not separate for examination.
Key Byronic hero restless woman. ( main figures)
Romanics text post Implicated imperialism, racialism, sexism, colonialism, misogony, homophobia,
No sestablished.
Critics during romantic poetry. Did not see self as romantic. Later 1863?
Conciousness about aspirations and achivements.
Germany –johann wolfgang von Goethe dismissed romanticsm as dieases.
William wordswoth attacked in Edinburgh review.
Romantics “ satanic “ school with lord byron as its head.
Remind of gothic and oriental influences on romantism and influence of byron.
Read so mention confesion opium eater. Wilde, saki. ( relate to dandy and non dandy. Social observation)
Shelly
Frankenstien / modern Prometheus.
Debatable innovative written by shelly.
Most important gothic fiction
First work legiemate claim science fiction.
Destructive force freed on society science separating self from nature.
Abhors responability for creation. Inspired by german ghost stories. While byron husband and and byrons doctor byron suggest they create own version/
Early gothic fiction .present slave/enthralled to treacherous past.
Horror emerge from present. By successful attempt by dr to infuse” life into an inainimate body”. Paternal counter balance
Creation only becomes monsterous when denied paternal
Aset aside victors journey for “principal of life” and troubling relation with feminine.
Man creates life independent of feminine
Man becomes god. Divine into culture
Stolen creative spark belongs to god.
Link conservative critique of French revolotuion.
Parrarel French revolotuion people destroy hierarchy.
Revoloutionarys destroyed by own creation.
( god man, creation renisance link perfection /ratio.= mysticism /contradiction. Gothic architecture invade early renisance ( create poss link?)
Feminism
Retrospectively women writers of the romantic period
Suffered canonicity romanticism practised inspired female writers seemingly neglected those remembered mary shelly Dorothy wordsworth cos of male assosciation. It is debatable at time many others seem forgotten compared to male.
Romanticsm bad reputation among feminists.
Mis representations of male genius masculine .
Byron
Notes not required , do off head. Travels exotic interest eroticism / ancient classical lands. ( industrial travel)
Arts
Artists meaning indenity change
Professionalmen AND bohemian anti-establishment craftsmen courtier
Training ( member organised bodies) taught young men and occasion female paint sculptuing hopes of success financial and intellectual
While romantic suggest individuality , developed artisticly define there role and status.
Obsession capture physical char , social trend and individual
Artist talk contemporaries other fields, and past artists personal relationships( Eugene Delacroix compared himself to Michelangelo. Genius. Misunderstood.etc.
Artist writers performers togther intlectual question and meditation to value of all art.
Artists self reliant . less dependent on instituions.
From community to individual.
Art lost challenge traditional just sentimental.
Jean-Jacques Rousseau legitimized the artistic representation of nature in all its diversity, the neo-classical view, that only when represented in an idealized state could nature be deemed beautiful.
A learned excuse for eroticism in art.
Charged with new artistic freedom, originality, self expression sense identified self as genius by self and others. Enable merg conscious with subconscious in there art. The natural and fantastical.
Sensous form, rich, texture as well as bizarre pathetic visionary theme
In order: historical paintings, mythoical, portraits, genre, landscape still life,
Change.
Nature extension of landscape. Mythical, unique visions. Panoramic detailed rustic ruin.
Goth was staple of romanticism.tranformation of sensibility and goth show indisputable nessecity of art unite creative mind and perception.
Nature mystasim
Desire to revive general mysticism their conception of art as another nature – mysterious but intelligible – ‘divine inspiration’
The artist genius – recipient of senses of spirituality – art expression of diversity of human spirit. Spiritualist. And interest in occult. Source materials occult. Collections osbscure./
Dandy
Yankee doodle dandy insult douwdy American soilders.
Then behaviour dress of british aristocrats.
Amoral superficial toword life. Reject responabilties. Decay of moral./ LIBERTINE?
Dry wit. Clothing. Mock thosefallen from honour / grace.
Clubs and dating regimes designed to excloude nouvo riche. Industrious. People bought into marriage for status .
No over lap of dandy and romantics. Dandy upper class romantics middle class/.
Coffee/opium indulgence/
Classicalism then
Classicalism existed in blake turner etc use classical national & religigous , question contemporary life and sensibility .
Classical flattned perspective. line over colour, disdain for depiction of emotion.
Liberty, fraternity and equality
Not only the idea of individual rights but also of nationalism
Liberals with reactionary regimes
Increasing despotism of Louis-Phillipe led to his deposition
Napoleon was elected president by a majority. His inherited name appealed to a widespread nationalistic sentiment.
Industrial revolutions
Large-scale industrialisation first began in Britain.
Colonies
Monopoly of the world market
Many industries such as cotton and iron, culminating in the invention of steam engine and the largescale use of coal. Factory system using conveyor belts, assembly lines = mass production/industrialisation.
Iron and steel harnessing science for industry.
Improvements in travel established trading and mechanisation. This increased populations and colonies.
Vast monopolies
“gods and kings of the past were powerless before the businessmen and steam engines of the present” Hobsbawn
While prosperous and expansion prblems, political crisis, unemployment{child and women labour – cheap factory – long hours, poor working conds, disease)
--------------------- notes below.
Goth
Germanic dark dense forest
No orginal takers of classical rome greek ( people)
Invasion pillage for hire. Saking destruction great library. Epitomy and destroyer of classical civiliation / ideals? Hence usage. No proof.(?) http://authorialimadrigal.blogspot.com/
Goth no style.
Generic term to all non classical.
Hordes, barbaric ( not the people BUT uses reason etymology)
( vassari) taken from Vitruvius on archtechture.
Vitrusvius describes only classical.
Only mention “wall decoration” “illogical”
Vasari
Describes Germanic buildings.
Slender non functioning columns . ever rising height, not supporting self,
“ was invented by Goths”
Vasari’s taste strongly effected description.
Gothic became synomious with bad taste.
Each individual has own idea of art.
Goth seeming to favour excess
Modern day art is gothic in its non classical foundations
Gothic its self later became specific stylings recognisable in archtetchure
Generalised concept of all foreign art not being considered worthy.
Rules which confine and dictate what good art is.
And by contrast what makes bad art.
Blame art critics and historians for objectification and tastes of
Art history built on exclusion.
(gothic versus romtic , pale ladies.
gothic barbarian , taken from medieval goths, germanic. art removed aesthetic propoartions of classical. early stages heavily critisized before being acepted .
gothicism lead furmost by archtechtural styling which revolutionised not only archtetcure its self but other fascets of society, urge to expand to highest of heaven. churches which at time whee designed for granduer to indicate there stature litteral and metaphysicaly to the average person. closer to heaven etc.
this urge created the high peaked and other recogniseable details. early works sculptue of and on cathedrals depicting bilicial stories morely through lives of saints ( mary effectionate human mother).
gothic art strongly influnced by an earlier time, but slowly encompased all artistic genres though never fully capturing the heart of classical italian. not until later 16th century by which time international gothic style was in place. but the 16th century renaisaance art was digestedt into renaisannce art.
main medium being sculpture staine dglass, freasco panel paintings and manuscripts.
civilisation would cradle these artists through a class who could and now would be there patrons.
manuscripts incresseing litteracy . civilisation time artist sorted into guilds ( very pratchett)
there records bestest cos of there ability. yadda yadda ) (from my blog I wrote about at start)
romatiq.gothiq
Monday, 19 October 2009
Sunday, 18 October 2009
gothic versus romtic , pale ladies.
gothic barbarian , taken from medieval goths, germanic. art removed aesthetic propoartions of classical. early stages heavily critisized before being acepted .
gothicism lead furmost by archtechtural styling which revolutionised not only archtetcure its self but other fascets of society, urge to expand to highest of heaven. churches which at time whee designed for granduer to indicate there stature litteral and metaphysicaly to the average person. closer to heaven etc.
this urge created the high peaked and other recogniseable details. early works sculptue of and on cathedrals depicting bilicial stories morely through lives of saints ( mary effectionate human mother).
gothic art strongly influnced by an earlier time, but slowly encompased all artistic genres though never fully capturing the heart of classical italian. not until later 16th century by which time international gothic style was in place. but the 16th century renaisaance art was digestedt into renaisannce art.
main medium being sculpture staine dglass, freasco panel paintings and manuscripts.
civilisation would cradle these artists through a class who could and now would be there patrons.
manuscripts incresseing litteracy . civilisation time artist sorted into guilds ( very pratchett)
there records bestest cos of there ability. yadda yadda
gothicism lead furmost by archtechtural styling which revolutionised not only archtetcure its self but other fascets of society, urge to expand to highest of heaven. churches which at time whee designed for granduer to indicate there stature litteral and metaphysicaly to the average person. closer to heaven etc.
this urge created the high peaked and other recogniseable details. early works sculptue of and on cathedrals depicting bilicial stories morely through lives of saints ( mary effectionate human mother).
gothic art strongly influnced by an earlier time, but slowly encompased all artistic genres though never fully capturing the heart of classical italian. not until later 16th century by which time international gothic style was in place. but the 16th century renaisaance art was digestedt into renaisannce art.
main medium being sculpture staine dglass, freasco panel paintings and manuscripts.
civilisation would cradle these artists through a class who could and now would be there patrons.
manuscripts incresseing litteracy . civilisation time artist sorted into guilds ( very pratchett)
there records bestest cos of there ability. yadda yadda
Monday, 15 June 2009
begin.
so today i made this though i know i will eventuly grow bored of it and forget entirely of its existance.
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